wgolding.lordoftheflies-第67部分
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〃mon identity〃 18 but also to share a 〃mon responsibility〃 for the deed。 By this means the children assuage the enormity of having killed a living thing。 None of the boys is excluded from the feast。 The later ritual; in which Simon; as a human substitute identified with the totem; is killed; is in this novel not an unconscious attempt to share the responsibility for the killing of a primal father in prehistoric times; as Freud states; rather; it is here a social act in which the participants celebrate their new society by memorating their severance from the authority or the civilized state。 Because of the juxtaposition of Piggy and pig; the eating of pig at the munal feast might be regarded as the symbolic cannibalism by which the children physically partake of the qualities of the slain and share responsibility for their crime。 (It must be remembered that; although Piggy on a symbolic level represents the light of reason and the authority of the father; as a human being he shares that bestiality and irrationality which to Golding dominate all men; even the most rational or civilized。)
In the final action; Ralph is outlawed by the children and hunted like an animal。 One boy; Roger; sharpens a stick at
16。 Totem and Taboo; p。 878。
17。 Ibid。; p。 808;
18。 Ibid。; p。 914。
both ends so that it will be ready to receive the severed head of the boy as if he were a pig。 Jack keeps his society together because it; like the brother horde of William Robertson Smith19 and Freud; 〃is based on plicity in the mon crimes。〃20 All share the guilt of having killed Simon; of hunting Ralph down。 In his flight Ralph; seeing the grinning skull of a pig; thinks of it as a toy and remembers the early days on the island when all were united in play。 In the play world; the world of day; the world of the novel's opening; he has bee a 〃spoilsport〃 like Piggy; in the world based upon primitive rites and taboos; the night world where fears bee demons and sleep is like death; he is the heretic or outcast; the rejected god。 This final hunt; after the conch is broken; is the pursuit of the figure representing civilized law and order; it is the law and order of a primitive culture。 Finally; Jack; through misuse of the dead Piggy's glasses; accidentally sets the island on fire。 A passing cruiser; seeing the fire; lands to find only a dirty group of sobbing little boys。 〃 'Fun and games;' said the officer。 。 。 。 'What have you been doing? Having a war or something?' 〃 (185)。
But are all the meanings of the novel as clear as they seem? To restrict it to an imaginative re…creation of Freud's theory that children are little savages; that no child is innocent whatever popular Christian theology would have us believe; is to limit its significance for the adult world。 To say that the 〃beasts〃 we fear are within; that man is essentially irrational…or; to place a moral judgment on the irrational; that man is evil…that; again; is too easy。 In this forced isolation of a group of children; Golding is making a statement about the world they have left…a world that we are told is 〃in ruins。〃 According to Huizinga's theory of play; war is a game; a contest for prestige which; like the games of primitives or of classical athletes; may be fatal。 It; too; has its rules; although the modern concept of total war tends to obscure both its ritualistic and its ennobling character。 It; too; has its spatial and temporal limitations; as the rash of 〃limited〃 wars makes very clear。 More than once the children's acts are pared to those of the outside
19。William Robertson Smith; Lectures on the Religion of the Semites; 3rd ed。; with an introduction by Stanley A。 Cook (New York: Macmillan; 1927)。
20。Totem and Taboo; p。 916。
world。 When Jack first blackens his face like a savage; he gives his explanation: 〃 'For hunting。 Like in the war。 You know…dazzle paint。 Like things trying to look like something else' 〃 (57)。 Appalled by one of the ritual dances; Piggy and Ralph discuss the authority and rationality of the apparently secure world they have left:
〃Grownups know things;〃 said Piggy。 〃They ain't afraid of the dark。 They'd meet and have tea and discuss。 Then things 'ud be all right…〃
〃They wouldn't set fire to the island。 Or lose…〃
〃They'd build a ship…〃
The three boys stood in the darkness; striving unsuccessfully to convey the majesty of adult life。
〃They wouldn't quarrel…〃
〃Or break my specs…〃
〃Or talk about a beast…〃
〃If only they could get a message to us;〃 cried Ralph desperately。 〃If only they could send us something grown…up 。 。 。 a sign or something〃 (86…87)。
The sign does e that night; unknown to them; in the form of the parachute and its attached corpse。 The pilot is the analogue in the adult world to the ritual killing of the child Simon on the island; he; like Simon; is the victim and scapegoat of his society; which has unleashed its instincts in war。 Both he and Simon are associated by a cluster of visual images。 Both are identified with beasts by the children; who do see the truth…that all men are bestial…but do not understand it。 Both he and Simon attract the flies from the Lord of the Flies; the pig's head symbolic of the demonic; both he and Simon are washed away by a cleansing but not reviving sea。 His position on the mountain recalls the hanged or sacrificed god of Sir James Frazer's The Golden Bough; in which an effigy of the god is buried or thrown into the sea to insure fertility among many primitives; here; however; we have a parody of fertility。 He is dead proof that Piggy's exaggerated respect for adults is itself irrational。 When the officer at the rescue jokingly says; 〃What have you been doing? Having a war or something?〃 this representative of the grown…up world does not understand that the games of the children; which result in two deaths; are a moral mentary upon the primitive nature of his own culture。 The ultimate irrationality is war。 Paradoxically; the children not only regress to a primitive and infantile morality; but they also degenerate into adults。 They prove that; indeed; 〃children are but men of a smaller growth〃
Notes on Lord of the Flies1
E。 L。 EPSTEIN
IN answer to a publicity questionnaire from the American publishers of Lord of the Flies; William Golding (born Cornwall; 1911) declared that he was brought up to be a scientist; and revolted; after two years of Oxford he changed his educational emphasis from science to English literature; and became devoted to Anglo…Saxon。 After publishing a volume of poetry he 〃wasted the next four years;〃 and when World War II broke out he joined the Royal Navy。 For the next five years he was involved in naval matters except for a few months in New York and six months with Lord Cherwell in a 〃research establishment。〃 He finished his naval career as a lieutenant in mand of a rocket ship; he had seen action against battleships; submarines and aircraft; and had participated in the Walcheren and D…Day operations。 After the war he began teaching and writing。 Today; his novels include Lord of the Flies (Coward…McCann); The Inheritors (which may loosely be described as a novel of prehistory but is; like all of Golding's work; much more); and Pincher Martin (published in this country by Harcourt Brace as The Two Deaths of Christopher Martin)。 He lists his Hobbies as thinking; classical Greek; sailing and archaeology; and his Literary Influences as Euripides and the anonymous Anglo…Saxon author of The Battle of Maldon。
The theme of Lord of the Flies is described by Golding as follows (in the same publicity questionnaire): 〃The theme is an attempt to trace the defects of society back
1。This article appeared in the original Capricorn edition of Lord of the Flies (New York: Putnam's; 1959); 249…55。
to the defects of human nature。 The moral is that the shape of a society must depend on the ethical nature of the individual and not on any political system however apparently logical or respectable。 The whole book is symbolic in nature except the rescue in the end where adult life appears; dignified and capable; but in reality enmeshed in the same evil as the symbolic life of the children on the island。 The officer; having inte