cwilleford.theburntorangeheresy-第20部分
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tists。 If their problem is recognized; they can be rechanneled into other artistic activities that do not call for great manual dexterity。〃
〃Like what?〃 Debierue appeared to be genuinely interested。
〃Writing poetry; posing electronic music。 Or even architecture。 The late Addison Mizner; who couldn't draw a straight line in the sand with a pointed stick; became an important South Florida architect。 His buildings in Palm Beach…those that remain…are beautifully designed; and his influence on other Florida architecture has been considerable; especially here on the east coast。〃
I stopped before I got wound up。 Debierue was pulling on me…on me!…one of the oldest tricks not in the book; and here I was; falling for it; just like the rawest of cub reporters。 It is a simple matter for the person who is wise with the experience of being interviewed to learn the interests of the interviewer。 Then; all he has to do is to keep feeding questions to the interviewer and the interviewer will end up with an interview of himself! Naively happy with a long and pleasant conversation; the interviewer will leave the subject in a blithe mood; only to learn later; when he sits chagrined at his typewriter; that he has nothing to write about。
The toilet flushed。 Debierue waited politely for me to continue; but I swirled the juice in my glass; sipped the rest of it slowly until Berenice rejoined us; and then excused myself on the pretense that I also had to use the facility。
I still carried my camera; of course; and I quickly opened the door on the left of the hall; across from the padlocked door。 I closed it softly behind me and took the room in rapidly。 If one of Debierue's paintings was on the wall; I was going to take a picture of it。 But there was only one painting on the wall; a dime…store print in a cheap black frame of Trail's End…the ancient Indian sitting on his wornout horse。 In the 1930s almost every lower middle class home in America contained a print of Trail's End; but I hadn't expected to find one in Debierue's bedroom。 Either Cassidy; in his meanness; had hung it on the wall; or it had been left there by the owner of the house。 But I still couldn't fathom how Debierue could tolerate the corny picture; unless; perhaps; he was amused by the ironic idea behind the print。 Of course; that was probably the reason。
The bedroom was austere。 A Hollywood single bed; made up with apple…green sheets…and no bedspread…an unpainted pine highboy; a wrought…iron bedside table with a slab of white tile for a top; and a red plastic Charles Eames chair beside the bed made up the inventory。 There was a ceiling light; but no lamp。 Debierue was a nihilist and stoic in his everyday life as well as in his art; but I felt a wave of sympathy for the painter all the same。 It was a shame; I felt; that this great man had so few creature forts in his old age。 There was no need for me to slide open the closet door; or to search the drawers of the highboy and paw through his clothing。
I took a nervous leak in the bathroom; and turned on the tap to wash my hands in the washbowl。 I opened the mirrored cabinet to see what kind of medicines he kept there。 If he had any diseases; or an illness of some kind; the medicines he used would furnish a valid clue; and that might be worth writing about。 Except for Elixophyllin…KI (an expectorant that eases the ability to breathe for persons with asthma; emphysema; and bronchitis) and three bars of Emulave (a kind of 〃soapless〃 soap; or cleansing bar for people with very dry skin…and I had noted the dryness of the painter's hands already); there was nothing out of the ordinary in the cabinet。 A pearl…handled straight razor; a cup with shaving soap and brush; a bottle of blue green Scope; a half…used tube of Stripe toothpaste; a green plastic Dr。 West toothbrush; a 100…tablet bottle of Bayer aspirin; with the cotton gone; and that was it。 There wasn't even a b; although Debierue; with a bald head as slick as a peeled almond; didn't need a b。 As bathroom medicine chests in America go; this was the barest cabinet…outside of a rented motel room…I had ever seen。
I returned to the living room in time to hear Berenice say; 〃Don't you get lonely; Mr。 Debierue; living way out here all alone?〃
He smiled; patted her hand; and shook his head。
〃It's the nature of the artist to be lonely;〃 I answered for him。 〃But the painter has his work to do; which is ample pensation。〃
〃I know;〃 Berenice said; 〃but this place is a million miles from nowhere。 You ought to get a car; Mr。 Debierue。 Then you could drive over to Dania for jai…alai at night or something。〃
〃No; no;〃 he protested; still patting her hand; 〃I am too old now to learn how to drive an automobile。〃
〃You could take some students;〃 Berenice said eagerly。 〃There would be a lot of students who would like to work with you in your studio! And I bet they'd e with cars from all over〃…she turned to me…〃wouldn't they; James?〃
Debierue laughed; and I joined him; although I was laughing more at Berenice's droll expression…half anger and half bewilderment…because we were laughing at her。 For any other painter of equal stature; Picasso; for instance; the suggestion of a student working with a master was valid enough。 But for Debierue; who showed his work to no one; the idea was absurd。 Debierue had sidetracked me neatly。 It was time to get back to business。
I put an affectionate arm around Berenice's waist and squeezed her as a signal to keep quiet。 〃You didn't answer my question a while ago; M。 Debierue;〃 I said soberly。 〃You have been very nice to me…to us both…even though we've invaded your privacy。 But I would like to see your present work…〃
He sighed。 〃I'm sorry; M。 Figueras。 You have made your visit without reason。 You see;〃 he shrugged; 〃I have no work to show you。〃
〃Nothing at all? Not even a drawing?〃
The corners of his mouth drooped morosely。 〃Work I have; yes。 But what things I have done in Florida are not deserving of your attention。〃
〃Why don't you let me be the judge of that?〃
His strained half…smile was weary; but his features stiffened with a mask of discernible dignity。 His voice dropped to a husky whisper。 〃The artist alone is the final judge of his work; M。 Figueras。〃
I flushed。 〃please don't misunderstand me;〃 I said quickly。 〃I didn't mean what I said to e out that way。 What I meant was that I don't intend to criticize your work; or judge it in any way。 I meant to say that I would prefer to be the judge of whether I'd like to see it or not。 And I would。 It would be an honor。〃
〃No。 I am sorry but I must refuse。 You are a critic and you cannot help yourself。 For you; to see a picture is to make a judgment。 I do not want your judgment。 I paint for Debierue。 I please myself and I displease myself。 For a young man like you to say to me; 'Ah; M。 Debierue; here in this corner a touch of terracotta might strengthen the visual weight;〃 or 'I like the tactile texture; but I believe I see a hole in the overall position。。。:〃 He chuckled drily。 〃I must say No; M。 Figueras。〃
〃You are putting me down; sir;〃 I said。 〃I know there are critics such as you describe; but I'm not one of them。〃 My face was flaming; but my voice was under control。
〃With the art of Debierue; one man is a crowd。 Me。 Debierue。 Two people are a noisy audience。 But to have one spectator with a pen; the critic; is to have many thousands of spectators。 Surrealism does not need your rationale; M。 Figueras。 And Debierue does not paint 'bicephalous centaursY'
〃He won't let you see his pictures; will he?〃 Berenice guessed; looking at my face。
I shook my head。
〃Maybe;〃 she turned and looked coyly at Debierue; 〃you'll let me see them instead; Mr。 Debierue?〃
He stepped back a few feet and examined her figure admiringly。 〃You have a wide pelvis; my dear; and it will be very easy for you to have many fine; beautiful babies。〃
〃By that he means No for me too; doesn't he?〃
〃What else?〃 I shrugged; and lit a cigarette。
As I had suspected; Debierue had disliked Galt's criticism。 I could have begged; but that would have been abhorrent to me。 If this was the way he felt there was no point in pursuing the