cwilleford.theburntorangeheresy-第21部分

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　　As　I　had　suspected；　Debierue　had　disliked　Galt's　criticism。　I　could　have　begged；　but　that　would　have　been　abhorrent　to　me。　If　this　was　the　way　he　felt　there　was　no　point　in　pursuing　the　matter　anyway。　In　one　way；　he　was　right　about　me。　It　would　have　been　impossible　for　me　to　look　at　his　work　without　judging　it。　And　although　I　would　not　have　said　anything　derogatory　about　his　work；　no　matter　how　I　felt　about　it；　there　was　bound　to　be　some　indication　of　how　I　felt…pro　or　con…reflected　in　my　face。　If　he　didn't　actually　believe　that　his　paintings　were　worthy　（although　his　faculty　for　criticism　was　certainly　not　as　good　as　mine）；　all　I　could　do　now　was　take　him　at　his　word。　I　felt　almost　like　crying。　It　was　one　of　the　greatest　disappointments　of　my　life。
　　〃Perhaps　another　time；　then；　M。　Debierue；〃　I　said。
　　〃Yes；　perhaps。〃　He　stroked　his　beaked　nose　pensively　and　studied　my　face。　Not　rudely；　but　earnestly。　He　glanced　toward　the　hallway　leading　to　his　padlocked　studio；　looked　back　at　me；　smiled　at　Berenice；　and　tugged　pensively　at　his　lower　lip。　I　suspect　that　he　had　expected　me　to　put　up　a　prolonged；　involved　argument；　and　now　he　didn't　know　whether　to　be　grateful　or　disappointed　by　my　failure　to　protest。
　　〃Tell　me　something；　M。　Figueras。　I　am　called　the　Nihilistic　Surrealist；　but　I　have　never　known　why。　Do　you　see　much　disorder　here；　in　my　little　house？〃
　　〃No；　sir'　I　looked　around。　〃Far　from　it。〃
　　For　an　artist；　the　lack　of　clutter　was　most　unusual。　Painters；　as　a　〃class〃；　are　a　messy　lot。　They　collect　things。　An　old　board　with　concentric　swirls；　a　rock　with　an　intriguing　shape；　jumbles　of　wire；　seashells；　any　and　all　kinds　of　things　that　have；　to　them；　interesting　shapes　or　colors。　A　chunk　of　wood；　for　example；　may　gather　a　heavy　patina　of　dust　for　years　before　a　sculptor　finally　detects　the　shape　within　the　object　and　liberates　it　into　a　piece　of　sculpture。
　　Painters　are　even　messier；　in　most　instances；　than　sculptors。　They　stick　drawings　up　here　and　there。　Pads　with　sketches　are　scattered　about　haphazardly；　and　they　clutter　their　quarters　with　all　kinds　of　props　and　worthless　junk。　Things　are　needed　for　visual　stimulation　and　possible　ideas。　This　clutter　is　not　confined　to　their　studios　either。　It　generally　spills　over　into　their　everyday　habitat；　including　the　kitchen　and　bathroom。
　　And　a　Surrealist；　like　Debierue；　dealing　in　the　juxtaposition　of　the　unlikely；　would　ordinarily　require　a　great　many　unrelated　objects　in　his　home…studio　to　nudge　his　subconscious。　But　then；　Debierue　was　an　anomaly　among　painters。　My　experience　with　the　habits　of　other　painters　could　hardly　apply　to　him。　Besides；　I　had　not；　as　yet；　seen　the　inside　of　his　studio。　。　。　。
　　〃As　you　see；　I　am　an　orderly；　clean　old　man。　Always　it　was　so；　even　as　a　young　man。　So　it　may　be；　after　all；　that　I　am　not　the　Surrealist。　Is　it　not　so？〃　The　grooved　amusement　lines　crowding　his　blue　eyes　deepened　as　he　smiled。
　　〃It's　a　relative　term；〃　I　said　politely。　〃A　convenient　label。　'Superrealist'　or　'Subrealist'　would　both　have　served　as　well。　The　term　'Dada'　itself　was　just　a　catchall　word　at　first；　but　the　motto　'Dada　hurts；'　when　it　was　truly　followed　or　lived　up　to　in　plastic　expression；　was　quite　important　to　me。　In　fact　it　stifi　is；　but　I've　always　considered　'Surrealism'　as　a　misnomer。〃
　　〃Debierue　does　not　like　any　label。　Debierue　is　Debierue。　Marcel　Duchamp　I　admired　very　much；　and　he　too　did　not　like　labels。　Do　you　remember　what　Duchamp　did　when　a　young　writer　asked　him　for　permission　to　write　his　biography？〃
　　〃No；　sir。〃
　　〃When　Duchamp　was　asked　for　the　quite　personal　information　about　himself　he　said　nothing。　He　did　not　have　to　think。　He　emptied　all　of　the　drawers　from　his　desk　onto　the　floor　and　walked　out　of　the　room。〃
　　〃An　existential　act。〃　The　story　was　one　I　hadn't　heard。
　　〃Another　label；　M。　Figueras？〃　He　clucked　his　tongue。　〃So　now　on　the　floor　are　odds　and　ends；　little　things　saved　in　the　desk　for　many　years　for　no　good　reason。　Snapshots；　little　notes　one　receives　or　makes　for　himself。　Old　letters　from　friends；　enemies；　ladies。　And；　what　is　it？…the　doodles；　little　pencil　squigglings。　And　pretty　canceled　stamps；　saved　because　they　are　exotic　perhaps。　Stubs　from　the　theater。〃　He　shrugged。
　　〃It　sounds　like　my　desk　in　New　York。〃
　　〃But　this　was　the　Duchamp　biography。　The　clever　young　man　picked　up　everything　from　the　floor　and　went　away。　He　pasted　all　of　the　objects　in　a　big　book；　entitled　it　The　Biography　of　Marcel　Duchamp　and　sold　it　for　a　large　sum　of　dollars　to　a　rich　Texas　Jew。〃
　　〃It's　funny！　never　heard　about　it。　I　thought　I　knew　practically　everything　about　Duchamp　there　was　to　know　。　。　。〃
　　〃And　so　did　the　young　man　who　'wrote'　the　biography　about　Duchamp　out　of　odds　and　ends　from　a　desk。〃
　　〃Nevertheless；〃　I　said；　〃I'd　like　to　take　a　look　at　that　book。　Every　scrap　of　information　about　Duchamp　is　important　because　it　helps　us　to　understand　his　art。〃
　　The　artist　shrugged。　〃There　is　no　such　book。　The　story　is　apochryphal…I　made　it　up　myself　and　spread　it　to　a　few　friends　many　years　ago　to　see　what　would　happen。　And　because　it　is　something　Duchamp　might　do；　many　believed　it　as　you　were　prepared　to　do。　The　chance　debris　of　an　artist's　life　does　not　explain　the　man；　nor　does　it　explain　the　artist's　work。　The　true　artist's　vision　es　from　here。〃　He　tapped　his　forehead。
　　Debierue's　face　was　expressionless　now；　and　I　was　unable　to　tell　whether　he　was　serious；　teasing　me；　or　getting　hostile。　He　turned　to　Berenice　and　smiled。　He　took　her　right　hand　in　both　of　his　and　spoke　in　English。
　　〃If　a　man　had　a　wife　and　children；　perhaps　a　short　biography　to　leave　his　family；　a　record　for　them　to　remember　him。　。　。　but　old　Debierue　has　no　wife；　children；　no　relatives　now　living；　to　want　such　a　book。　The　true　artist；　my　dear；　is　too　responsible　to　marry　and　have　a　family。〃
　　〃Too　responsible　to　fall　in　love？〃　Berenice　asked　softly。
　　〃No。　Love　he　must　have。〃
　　I　cleared　my　throat。　〃The　entire　world　is　the　artist's　family；　M。　Debierue。　There　are　thousands　of　art　lovers　all　over　the　world　who　would　like　to　read　your　biography。　Those　who　write　to　you；　I　know；　and　those　who…〃
　　He　patted　my　arm。　〃Let　us　be　the　friends。　It　is　not　friendly　to　talk　about　nothing　with　such　seriousness　on　your　face。　It　is　getting　late；　and　you　will　both　stay　to　dinner　with　me；　please。〃
　　〃Thank　you　very　much。　We　would　like　very　much　to　stay。〃　He　had　changed　the　subject　abruptly；　but　the　longer　I　stayed　the　better　my　chances　became　to　gain　information　about　the　old　man。　Or　did　they？
　　〃Good！〃　He　rubbed　his　dry　hands　together　and　they　made　a　rasping　sound。　〃First　I　will　turn　on　my　electric　oven　to　four…two…five　degrees。　I　do　not　have　the　printed　menu；　but　you　may　decide。　There　is　the　television　turkey　dinner。　Very　good。　There　is　the　television　Salisbury　steak。　Also　very　good。　Or　maybe；　M。　Figueras；　you　would　most　like　the　television　patio　dinner？　Enchilada；　tamale；　Spanish　rice；　and　refried　beans。〃
　　〃No；〃　I　said。　〃I　guess　I'll　have　the　turkey。〃
　　〃I'd　rather　have　the　Salisbury　steak；〃　Berenice　said。　〃And　let　me　help　you…〃
　　〃No。　Debierue　will　also　have　the　turkey！〃　He　smiled　happily；　and　turned　toward　the　stove。　Relenting；　he　changed　direction；　went　to　the　sideboard　and　got　out　a　box　of　Piknik　yellow　plastic　forks　and　spoons。　There　was　a　four…mat　set　of　sticky　rubber　yellow　place　mats　in　the　drawer。　He　handed　the　mats　and　the　box　of　plastic　utensils　to　Berenice　and　asked　her　to　set　the　card　table　on　the　porch。
　　So　far；　I　thought　bitterly；　as　I　glumly　watched　this　bustling　domestic　activity；　except　for　a　few　gossipy　ments　on　a　low　curiosity　level；　I　had　picked　up　damned　little　information　of　any　real　interest　from　the　old　artist。　If　anything；　he　had　learned　more　about　me　than　I　had　about　him。　He　had　refused　to　let　me　see　his　work；　and　just　as　he　had　started　to　open　up　he　had　slammed　the　lid　on　what　might　have　been　an　entire　trunkful　of　fascinating　material。　He　was　a　bewildering　old　man；　all　right；　and　I　couldn't　decide　whether　he　was　somewhat　senile　（no；　not　that）；　putting　me　down；　with　some　mysterious　purpose　in　mind；　or　what。。。
　　Working　away；　stripping　the　cardboard　outer　covers　from　the　al