iancaldwell&dustinthomason.theruleoffour-第40部分
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ide but glassy and fragile…looking from within。 Its atrium curves like a river through the music library and classrooms on the ground floor; rising three stories to skylights above。 The wind howls jealously around it。 Paul unlocks the entrance to the building with his ID card; holding the door as I pass through。
〃Which way?〃 he asks。
I lead him to the nearest staircase。 Gil and I have been here twice since the building was opened; both times after drinks on a slow Saturday night。 His father's second wife insisted that Gil learn to play something by Duke Ellington; the same way my father insisted that I learn something by Arcangelo Corelli; and between us we have eight years of lessons and almost nothing to show for it。 Thumping our bottles on the top of an old baby grand; Gil would bungle 〃 'A' Train;〃 I would butcher 〃La Follia;〃 and we would pretend to keep a beat that neither of us had ever learned。
Paul and I pad down the basement hallway; to find that only one piano is still at work。 Someone in a distant practice room is playing 〃Rhapsody in Blue。〃 We slip into a small; soundproof studio; and Paul edges behind the upright piano; taking a seat on the stool。 He looks at the keys of the piano; mysterious as puter keys to him; and doesn't touch them。 The overhead light sputters for a second; then goes dead。 It's just as well。
〃I can't believe it;〃 he says finally; taking a deep breath。
〃Why would they do it?〃 I ask。
Paul runs his index finger across a key; scratching at the ebony。 When he seems not to hear the question; I repeat myself。
〃What do you want me to say; Tom?〃
〃Maybe this is why Stein wanted to help in the first place。〃
〃When? Tonight with the diary?〃
〃Months ago。〃
〃You mean; when you stopped working on the Hypnerotomachia?〃
The chronology is a jab; a reminder that Stein's involvement traces ultimately back to me。
〃You think this is my fault?〃
〃No;〃 Paul says quietly。 〃Of course not。〃
But the accusation hangs in the air。 The map of Rome; like the diary; has reminded me of what I left behind; how much progress we made before I left; how much I enjoyed it。 I look at my hands; curled up in my lap。 It was my father who said I had lazy hands。 Five years of lessons hadn't produced a single presentable Corelli sonata; that's when he started pushing basketball instead。
The strong take from the weak; Thomas; but the smart take from the strong。
〃What about the note to Curry?〃 I say; fixing on the back of the piano。 The wood is unvarnished and raw along the entire side; where the upright is supposed to face a wall。 It strikes me as a strange economy; like a professor who doesn't brush the back of his hair because he can't see it in the mirror。 My father used to do that。 It was a defect of perspective; I always thought…the mistake of someone who could only see the world one way。 His students must have noticed it as often as I did。 Every time he turned his back on them。
〃Richard would never try to take something from me;〃 Paul says; biting at a nail。 〃We must've missed something。〃
A hush settles in。 The practice room is warm; and when we're both quiet there's no sound at all; besides an occasional hum from down the hall; where Gershwin has been replaced by a Beethoven sonata that rumbles in the distance。 It reminds me of sitting through summer storms as a child。 The power is out; the house is quiet; and nothing can be heard besides the roll of far…off thunder。 My mother is reading to me by candlelight…Bartholomew Cubbins or an illustrated Sherlock Holmes…and the only thing on my mind is how the best stories always seem to be about men in funny hats。
〃I think it was Vincent in there;〃 Paul says。 〃At the police station he lied about his relationship with Bill。 He told them Bill was the best graduate student he'd advised in years。〃
We both know Vincent; Stein's letter said。 It's fair to say he has plans of his own for anything that es of this。
〃You think Taft wants it for himself?〃 I ask。 〃He hasn't tried to publish anything on the Hypnerotomachia in years。〃
〃This isn't about publishing; Tom。〃
〃What's it about?〃
Paul stays quiet for a moment; then says; 〃You heard what Vincent said tonight。 He's never admitted before that Francesco was from Rome。〃 Paul looks down at the pedals of the piano; jutting out from the wooden frame like tiny gold shoes。 〃He's trying to take this away from me。〃
〃Take what away from you?〃
But again Paul hesitates。 〃Never mind。 Forget it。〃
〃What if it was Curry in the museum?〃 I offer; when he turns away。 The letter from Stein to Curry has plicated my vision of the man。 It reminds me that he was more taken with the Hypnerotomachia than any of them。
〃He's not involved; Tom。〃
〃You saw how he acted when you showed him the diary。 Curry still thought it was his。〃
〃No。 I know him; Tom。 Okay? You don't。〃
〃What's that supposed to mean?〃
〃You never trusted Richard。 Even when he tried to help you。〃
〃I didn't need his help。〃
〃And you only hate Vincent because of your father。〃
I turn to him; surprised。 〃He drove my father to…〃
〃To what? Run off the road?〃
〃Drove him to distraction。 What the hell's wrong with you?〃
〃He wrote a book review; Tom。〃
〃He ruined his life。〃
〃He ruined his career。 There's a difference。〃
〃Why are you defending him?〃
〃I'm not。 I'm defending Richard。 But Vincent never did anything to you。〃
I'm just about to dig into Paul; when I see the effect our conversation is having on him。 He runs the base of his palm above his cheeks; blotting them。 For a second I can only see headlights on the road。 A horn is blaring。
〃Richard's always been good to me;〃 Paul is saying。
I don't remember my father making a sound。 Not once during that drive; not even when we skidded off the road。
〃You don't know them;〃 he says。 〃Either of them。〃
I'm not sure when the rain began…while we were driving to see my mother at the book show; or on the way to the hospital when I was riding in the ambulance。
〃I found this book review once of Vincent's first major work;〃 Paul continues。 〃A clipping in his house; from the early seventies; back when he was a hotshot at Columbia…before he came to the Institute and his career fell apart。 It was glowing; the kind of thing professors dream about。 At the end it said; 'Vincent Taft has already begun his next project: a definitive history of the Italian Renaissance。 To judge from his existing work; it will be a magnum opus indeed; the sort of rare acplishment in which the writing of history bees the making of history。' I remember that; word for word。 I found it spring of sophomore year; before I really knew him。 That was the first time I started to understand who he was。〃
A book review。 Like the one he sent my father; just to be sure he'd seen it。 The Belladonna Hoax; by Vincent Taft。
〃He was a star; Tom。 You know that。 He had more going on upstairs than most of the faculty here bined。 But he lost it。 He didn't burn out; he just lost it。〃
The words are gathering momentum; crowding into the air as if a balance can be struck between the silence outside him and the pressure within。 I feel like I'm swimming; flailing as the tide pulls me out。 Paul begins to talk about Taft and Curry again; and I tell myself they're just characters in another book; men in hats; figments of the blackout imagination。 But the more he talks; the more I begin to see them the way he does。
In the aftermath of the debacle surrounding the portmaster's diary; Taft moved from Manhattan into a white clapboard house at the Institute; a mile southwest of the Princeton campus。 Maybe it was the solitude that got to him; the absence of colleagues to wrestle with; but within months; rumors of his drinking began to circulate through the academic munity。 The definitive history he'd planned quietly expired。 His passion; his mand of his gift; seemed to crumble。
Three years later; on the occasion of his next publication…a thin volume on the role of hieroglyphics in Renaissance art…it became clear that Taft's career had stalled。 Seven years after that; when his next article was published in a minor journal; a reviewer called his decline a tragedy。 According to Paul; the loss of what Taf